Ph.D. Art History (African Art): Binghamton University, Binghamton, NY
M.A. Art History (The Arts of Africa, Oceania & the Americas): University of East Anglia, (UEA) Norwich, England
B.A. Hons., Fine Art, Theatre, & Education: University of Dar es Salaam (UDSM), Tanzania
Certificate in Fine Art & Education, Butimba Teachers’ College, Tanzania
Teachers’ Certificate, Korogwe Teachers’ College, Tanzania
Biography
Fadhili Mshana received his Ph.D. in African art from Binghamton University in 2000 and began teaching at Georgia College in 2002. Previously he had taught at Primary School and Teachers’ Training College levels, and at the University of Dar es Salaam in Tanzania. His research interests lie in the arts of the African world: traditional and contemporary African art, and arts of the African Diaspora; art and identity, patronage and market forces on art, politics of art, and colonial and post-colonial processes on culture. Current research examines art patronage African artists received from European Christian missions in twentieth-century Africa and the significance of that patronage in mapping and defining twentieth-century African art.
Fadhili Mshana’s work has received numerous fellowships and awards including a Fulbright Scholarship for his dissertation research among the coastal peoples of Tanzania. Publications include journal articles and book chapters on the arts in Tanzania. He is also a practicing artist and his work has featured in group shows in Tanzania, Cuba, Denmark, and the United States.
Courses taught include African Art and Islam, African Art History, Art Criticism: From Plato and Kant to Post-Modernism, The Ancient & Medieval Worlds, Art of the African Diaspora, Contemporary African Art, Fine and Applied Arts in Civilizations, and Teaching Multiculturalism thru Art: K-12. He has also taught on faculty-led summer study abroad program in Paris.
Dr. Mary Magoulick teaches women’s studies, Native American literature, folklore, myth, and popular culture, all with multicultural focus. She writes on the interrelationships between literature/texts and culture and has published in major folklore and popular culture journals. She is currently engaged in a book project offering a feminist critique of Goddess Culture (especially as it manifests in popular culture – e.g. Wonder Woman). She enjoys traveling (over 30 countries so far) and contemplating cross-cultural connections and culturally-based approaches to studying human artistic expressions. She has done fieldwork with Native Americans, served as a Peace Corps Volunteer in Senegal, studied in France, taught in Sweden, Italy, England, Ireland, for Semester at Sea, and in Croatia, the last on a Fulbright.
Dana Gorzelany-Mostak teaches courses on the history of western music, American music, and world music, as well as directs the Music Theater Scenes class and Women's Ensemble. Her research explores the role of popular songs in presidential campaigns, the reception of music prodigies in the age of reality television, and the untold history of music performance on the “freak” show stage in the 19th century. Additional research interests include opera and popular culture, public musicology, and music entrepreneurship. She has received the Mark Tucker Award from the Society for American Music and the Peter Narvaez Memorial Award from the International Association for the Study of Popular Music-Canada for her work on the intersection of politics and music in the 2008 campaigns of Hillary Clinton and Barack Obama. Her research on music and electoral politics appears in Music & Politics, the Journal of the Society for American Music and the Journal of Popular Music Studies. Her work on Jackie Evancho appears in the edited volume Voicing Girlhood in Popular Music: Performance, Authority, Authenticity (Routledge) and in the journal American Music. Gorzelany-Mostak is also the founder of Trax on the Trail, a Georgia College-sponsored website that tracks the soundscapes of American presidential campaigns. Dr. Gorzelany-Mostak has a PhD in Musicology from McGill University, an MA in Musicology from Indiana University, and a BA in Music Education and Performance from Ithaca College.
Image
Dr. James Winchester
Coordinator, Program of Philosophy, Professor of Philosophy
Love, Pleasure, Friendship and the Good Life; Philosophy, Art and the Art of Living; Philosophy of Law; Ethics; and Social and Political Philosophy
Biography
Dr. Winchester has published books on Nietzsche, Cross cultural understanding of art and his most recent work, Ethics in an Age of Savage Inequalities (Lexington Press). He is currently working on a book on the good life.
Beate M. Czogalla is delighted to be a part of the Department of Theatre at Georgia College as the Assistant Professor in Theatre Design since the Fall of 2000. She has a BA and MA degree in Theatre from Giessen University (Germany) and an MFA degree in Scenography and Lighting Design from Virginia Tech. Her credits at GC include A Midsummer Night's Dream, The Glass Menagerie, The Wild Duck, Quilters, The Beggar's Opera, On The Verge, Our Town, Julius Caesar, The Dining Room, You're A Good Man, Charlie Brown, The Taming Of The Shrew, An Evening of Pinter, Pippin and The Illusion.
Ms. Czogalla has designed internationally with credits at theatres in Giessen, Frankfurt, Bad Hersfeld and Stuttgart, Germany; Wroclaw and Warsaw, Poland; Lige, Belgium; Chepstow, Wales, Great Britain; Peterborough, Ontario, Canada, and in the United States, and she is a founding member of the monumental Canadian outdoor theatre production, And Wolf Shall Inherit The Moon, mounted in Haliburton, Ontario every August. Since the Fall of 2000 she has worked as a Scenographer and Lighting Designer at The Warehouse Theatre in Greenville, South Carolina, and at 7 Stages in Atlanta, and since the summer of 2002 she has designed three shows per year for the Pennsylvania Shakespeare Festival in Allentown/ Center Valley, Pennsylvania.
She was the Resident Lighting Designer for the New Harmony Theatre from 1990 until 1997. Prior to that she worked at Actors Theatre in Louisville, Kentucky, The Road Company in Johnson City, Tennessee, and Playhouse 460 and the Studio Theatre in Blacksburg, Virginia. She has done concert and architectural lighting design and consulting for a variety of clients and has served as the Lighting Supervisor for the Lincoln Amphitheatre at Lincoln State Park, Indiana, from 1995 until 2000. As an active member of NASA's Teacher in Space/ Space Education Program she serves as a community volunteer conducting workshops for children and adults of all ages, and in late 2000 she was appointed as a Solar System Ambassador by JPL (Jet Propulsion Laboratory/ NASA), a position she plans to hold for many more years. She is also a certified Advanced Open Water Diver and a passionate hiker and kite builder.
Ph.D. Comparative Literature, University of Oregon
M.A. Comparative Literature, University of Oregon
Staatsexamen für das Lehramt an Gymnasien (graduate degree), French Language, Literature and Linguistics; English Language, Literature and Linguistics, Universität Regensburg, Germany
Areas of Expertise
Research and teaching interests: New Materialist/Posthumanist Philosophy, the Climate Crisis/Ecocriticism, Theatre and Performance, Theories and History of Fascism and Sovereignty
Languages Spoken: English, French, German. Reading proficiency: Spanish, Italian
"My favorite course is currently a virtual exchange course (MGLG 4950) on the Climate Crisis that is co-taught (in English) with students and faculty from the University of Jena, Germany and is open not only to WLC majors and minors, but to GC students from all fields. Make new friends and travel to Germany this coming summer from the safety of your laptop!"
I was born in Vallejo, California. I received my BA in religious studies from the University of California at Berkeley and received my MFA in ceramics from the University of Colorado at Boulder.
I have had exhibitions in venues such as the Museum of Contemporary Art in Atlanta, the Grimmerhus Museum, Denmark, the Ann Linneman Gallery in Copenhagen, and the Palacio de Dom Manuel in Evora, Portugal – a UNESCO Heritage site. I am a Fulbright-Hays fellow. I have been a resident artist at national and international art centers such as the Archie Bray Foundation for the ceramic arts in Montana, where I was the recipient of the Lillian Fellowship; the OBRAS center in Holland, the OBRAS center in Portugal, the International Ceramic Research Center in Denmark, Quarry Tile Factory in Washington, The Mendocino Art Center in California, and the Ceramic Center-Berlin in Berlin, Germany. My art and academic contributions are included in journals such as Ceramic Arts and Perception, Drawing, ArtWeek, and Gastronomica – UC Press. My two letterpress books FUNERAL FOOD (2019) and Trouble (2021) are collected in over 75 university special collections nationwide. I have lectured at public and private institutions and organizations such as the University of South Bohemia České Budějovice, the University of Anadolu, and universities. I am a Professor within the Department of Art at Georgia College and specialize in ceramics.
Laurie Peebles is currently the Assistant Professor of Music Therapy and Graduate Coordinator at Georgia College. Laurie received a Bachelor’s of Music in Music Therapy and a Master’s of Music in Music Education at Converse College. She completed her music therapy internship with the Fulton County School System and she joined the music therapy team at The George Center for Music Therapy, in Atlanta, GA. From 2012 to 2014, Laurie served on the executive board as secretary of the Music Therapy Association of Georgia. In 2014, she began working as the music therapist on the Oncology units at Greenville Memorial Hospital, in Greenville, SC, a program funded by a LiveSTRONG grant. Beginning in 2016, she began providing music therapy services at Nicklaus Children’s Hospital in Miami, FL providing music therapy services on the cardiology, neurology, and intensive care units. During this time, she also worked at the private music therapy practice Wholesome Harmonies Music Therapy, LLC in Miami, FL. In 2019, she was the recipient of the AMTA Music Therapy Perspectives Graduate Research Award for her research study Trends in Music Therapy Preprofessional Supervision: A Systematic Review. Laurie is completing her doctoral degree in music therapy at the University of Miami with her research interests focusing on personality in music therapy supervision.
Survey of Philosophy, Introduction to Black Studies, Philosophy of Race, Critical Thinking: The Promise and Peril of Technology
Biography
Dr. Brooke Rudow is a Lecturer of Philosophy. She received her B.A. at the University of Hawai’i, her M.A. at the University of Liverpool, and her Ph.D. at the University of Georgia. She has Graduate Certificates in Philosophy as a Way of Life and Environmental Ethics. She specializes in Ethics, Epistemology, Political Philosophy, and Philosophy of Technology. Within and in addition to these areas, her publications engage a variety of issues from feminist philosophy, race theory,and Indian Aesthetics, to philosophy in pop culture.
Eric received his BA in Theatre from Southern Arkansas University (Magnolia, AR) and his MFA in Costume Design & Technology from the University of Southern Mississippi (Hattiesburg, MS).
At SAU, Eric designed costumes for a number of productions including Buried Child, How I Learned to Drive, and See How They Run. Following his undergraduate work, Eric was the Associate Youth Director for the Jefferson Davis Parrish Arts Council's (Jennings, LA) youth theatre program and designed costumes and other technical aspects for their productions of A Midsummer Night's Dream and A Bad Year for Tomatoes. In his time at USM, Eric designed costumes for Early One Evening at the Rainbow Bar & Grille,Picasso at the Lapin Agile, Much Ado About Nothing (women's costumes), Moon Over Buffalo, and Fefu & Her Friends. In 2006, Eric assisted Costume Designer Peggy Stamper and her Assistant/husband Fred Lloyd as an Extras Costumer on the ABC/ESPN film Ruffian. Following that, Eric worked in the Wardrobe Department at the Alabama Shakespeare Festival for the 2007- 2008 season. For GC, Eric has designed costumes for Eurydice, Yours, Anne, The Rover, The Smiles, RENT, and The 1940's Radio Hour. Other recent designs include South Pacific at the New London Barn Playhouse and the Southeastern premiere of Good Boys and True at Actor's Express.
Eric's areas of research include 20th century costumes, the symbolism of color, and computer rendering using Adobe Photoshop.
Ph.D. Spanish Literature, Arizona State University
M.A. Spanish, Arizona State University
B.A. Spanish, University of North Carolina at Asheville
Areas of Expertise
Research: Early Modern Spanish and Contemporary Latin American Literature, Cervantes, Book Illustration, Medical Interpretation and Translation
Languages Spoken: English, Spanish
Regional Areas of Expertise: Transatlantic: Spain, Latin America, and U.S.
Favorite Part of WLC
"My favorite aspect of Georgia College is how the liberal arts focus helps students establish diverse career paths. I particularly enjoy working with students to develop cultural competence and communicative skills."
